We need to understand that a successful minority-owned business is the
exception, not the norm. We need to understand that not all founders are created
equal, and minorities — especially women — face more scrutiny as entrepreneurs
than others. We need to encourage minorities to start their own businesses while
we support their efforts through investment, mentorship and networks. We need to
change the actual system.
There are grave imbalances that dictate failure for minority-owned
businesses. Finding solutions is a formidable call to action, I know, but it’s
one that is critical to the new Americandream.
Every statistic on the subject of entrepreneurship says that I am likely to
fail on the secondAmerican dream. This is because as a woman of color, my
ability to secure funding is severely hindered by the startup system.
While I was working in finance and IT, I lived in Harlem for a few years and
engaged in the community as a volunteer teacher. My time there contrasted with
my childhood, during which I was fortunate to always have access to good food. I
saw that a household lack of quality food has far-reaching effects, and I wanted
to do something to make the situation better formy neighbors. I started with
small solutions, like petitioning for a community garden.
When my efforts failed to make any meaningful change, I thought about another
approach. I knew I had the potential to head a successful company. So, I took a
huge risk and quit my job to start Re-Nuble, which is a startup aiming to
disrupt the food system and bring more affordable organic produce to everyone.
Thus I started on the second American dream — start your own business.
Saturday, December 5, 2015
Tuesday, November 24, 2015
Inspired by Dreams
I have so much to be grateful for today. One of the ways I can show my
gratitude is to use this incredible moment to inspire you to dream the biggest
dream you possibly can, and then work for it.
A really big part of our energy and success lies in our ability to dream. There's a great line in the movie Grey Owl starring Pierce Brosnan, where the Ojibwe elders tell Archie Grey Owl, "A man becomes what he dreams. You have dreamed well."
When moms and dads at the ballpark would ask me for advice, I always told them to help their kids dream, and dream big. That's what I did as a kid. I didn't know if I could be a professional ballplayer! But I dreamed about it anyway. I could dream any dream I liked! Back then, I had no idea what a privilege that was. I've learned it's not the same for everyone.
Some of the kids that we rescue from slavery have awesome talents. But those talents have been squandered by the people that were slaving them out. These kids never enjoyed the chance to use their talents or challenge themselves. They didn't dare to dream, not even small dreams.
Jeremy Affeldt is a pitcher for the three times in five years World Champion San Francisco Giants. He recently retired from playing baseball after 14 years.
He is a philanthropist and is the founder of Generation Alive, a non profit that works to move a generation of young people to act, to get involved. They teach and inspire young leaders to serve others who are faced with extreme poverty.
Jeremy is an active leader to end human trafficking and modern day slavery and supports Not For Sale. He is also an advocate to feed the hungry and supports Something 2 Eat.
A really big part of our energy and success lies in our ability to dream. There's a great line in the movie Grey Owl starring Pierce Brosnan, where the Ojibwe elders tell Archie Grey Owl, "A man becomes what he dreams. You have dreamed well."
When moms and dads at the ballpark would ask me for advice, I always told them to help their kids dream, and dream big. That's what I did as a kid. I didn't know if I could be a professional ballplayer! But I dreamed about it anyway. I could dream any dream I liked! Back then, I had no idea what a privilege that was. I've learned it's not the same for everyone.
Some of the kids that we rescue from slavery have awesome talents. But those talents have been squandered by the people that were slaving them out. These kids never enjoyed the chance to use their talents or challenge themselves. They didn't dare to dream, not even small dreams.
Jeremy Affeldt is a pitcher for the three times in five years World Champion San Francisco Giants. He recently retired from playing baseball after 14 years.
He is a philanthropist and is the founder of Generation Alive, a non profit that works to move a generation of young people to act, to get involved. They teach and inspire young leaders to serve others who are faced with extreme poverty.
Jeremy is an active leader to end human trafficking and modern day slavery and supports Not For Sale. He is also an advocate to feed the hungry and supports Something 2 Eat.
Friday, November 6, 2015
Usman Khawaja lives his Australian dream
Nearly five years after Usman Khawaja made his Test debut to great fanfare, the Australian has finally posted the numbers to justify the hype.
Richly talented with a languid style that recalls David Gowar, the Pakistan-born batsman was hailed as Australia's future when he stood in for the injured Ricky Ponting in the final Test of the 2010-11 Ashes series. Rarely can innings of 37 and 21 from a number three batsman at the Sydney Cricket Ground have been lauded so highly, as the hosts looked for the slightest grounds for optimism after a humiliating 3-1 series defeat.
Eight more Test match appearances over the ensuing half decade bear witness to a potential unfulfilled, however, and it was not until a string of batting stalwarts retired in the wake of the latest Ashes failure that he got another opportunity. The 28-year-old cannot be accused of failing to grasp the chance with both hands against New Zealand at the Gabba.
Showing no signs of nerves despite more than two years since his last Test, Khawaja joined in Australia's run spree on Thursday to notch up his maiden Test century. Eschewing his usually cautious approach, he raced to the milestone with an array of sometimes sublime strokes, including two sixes that proved that elegance can get the ball over the boundary rope just as effectively as power.
Richly talented with a languid style that recalls David Gowar, the Pakistan-born batsman was hailed as Australia's future when he stood in for the injured Ricky Ponting in the final Test of the 2010-11 Ashes series. Rarely can innings of 37 and 21 from a number three batsman at the Sydney Cricket Ground have been lauded so highly, as the hosts looked for the slightest grounds for optimism after a humiliating 3-1 series defeat.
Eight more Test match appearances over the ensuing half decade bear witness to a potential unfulfilled, however, and it was not until a string of batting stalwarts retired in the wake of the latest Ashes failure that he got another opportunity. The 28-year-old cannot be accused of failing to grasp the chance with both hands against New Zealand at the Gabba.
Showing no signs of nerves despite more than two years since his last Test, Khawaja joined in Australia's run spree on Thursday to notch up his maiden Test century. Eschewing his usually cautious approach, he raced to the milestone with an array of sometimes sublime strokes, including two sixes that proved that elegance can get the ball over the boundary rope just as effectively as power.
Tuesday, October 13, 2015
It's Where Dreams Live
Musicals were made for embarrassing emotions. If the musical is good enough,
it can blindside you with them. One minute you’re thinking, “A musical? About
Alexander Hamilton?” Next thing you know, you’re wracked with violent sobs as
Aaron Burr sings about his wife. Aaron Burr! The guy from that old milk
commercial! Such is the power of musical theater. The earnest, borderline cheesy
sincerity of the genre allows you to more easily access your most heartfelt
feelings.
And ain’t nothing cheesier than true love! We meet Crazy Ex-Girlfriend’s main character, Rebecca (Rachel Bloom), at the end of high school musical summer camp as she says goodbye to her hunky, sort of blah boyfriend Josh Chan (Vincent Rodriguez III). Between her braces, her intensity and her casual reference to a feigned suicide attempt, however, it’s not super surprising when Josh decides to dip, leaving Rebecca crushed and alone with her unseen mother, whose voicemails and off-screen criticism indicate that she is a Gorgon-level monster. “You’re really dramatic and like...weird,” Josh informs Rebecca before sprinting away forever.
Then Rebecca runs into Josh Chan on the street, and the whole thing busts wide open. Of course! That’s why Rebecca hasn’t been happy! She was missing out on the love of her life! Sadly Josh is moving home to West Covina, California, but tells Rebecca to hit him up the next time she is on the West Coast. “If I had only known you’d be so successful and hot…” Josh laughs, as if he is TRYING to make his ex-girlfriend turn down a partnership and suddenly move to his hometown 19 miles east from downtown Los Angeles.
Which Rebecca of course then does, in the first of the episode’s two songs, “West Covina,” a charming Disney-style song in the vein of Belle’s opening number from Beauty and the Beast. Rebecca sings the praises of her new town, a town in which Josh just happens to live, these things are VERY unrelated, clearly, everyone can see that, she is not acting crazy. See, apparently Rebecca doesn’t actually understand that she moved to California to follow her ex, even if the audience does. The residents of West Covina dance behind her in her fantasy as Rebecca celebrates their Applebee’s, their miles of concrete, their giant pretzels, and their high school marching band, which is defunded before our very eyes. Apologies to the actual residents of West Covina.
And ain’t nothing cheesier than true love! We meet Crazy Ex-Girlfriend’s main character, Rebecca (Rachel Bloom), at the end of high school musical summer camp as she says goodbye to her hunky, sort of blah boyfriend Josh Chan (Vincent Rodriguez III). Between her braces, her intensity and her casual reference to a feigned suicide attempt, however, it’s not super surprising when Josh decides to dip, leaving Rebecca crushed and alone with her unseen mother, whose voicemails and off-screen criticism indicate that she is a Gorgon-level monster. “You’re really dramatic and like...weird,” Josh informs Rebecca before sprinting away forever.
Then Rebecca runs into Josh Chan on the street, and the whole thing busts wide open. Of course! That’s why Rebecca hasn’t been happy! She was missing out on the love of her life! Sadly Josh is moving home to West Covina, California, but tells Rebecca to hit him up the next time she is on the West Coast. “If I had only known you’d be so successful and hot…” Josh laughs, as if he is TRYING to make his ex-girlfriend turn down a partnership and suddenly move to his hometown 19 miles east from downtown Los Angeles.
Which Rebecca of course then does, in the first of the episode’s two songs, “West Covina,” a charming Disney-style song in the vein of Belle’s opening number from Beauty and the Beast. Rebecca sings the praises of her new town, a town in which Josh just happens to live, these things are VERY unrelated, clearly, everyone can see that, she is not acting crazy. See, apparently Rebecca doesn’t actually understand that she moved to California to follow her ex, even if the audience does. The residents of West Covina dance behind her in her fantasy as Rebecca celebrates their Applebee’s, their miles of concrete, their giant pretzels, and their high school marching band, which is defunded before our very eyes. Apologies to the actual residents of West Covina.
Wednesday, September 23, 2015
UNITED STARS MAKE FANS' DREAMS COME TRUE
Having treated supporters to a thrilling 3-2 victory over Southampton on
Sunday, Louis van Gaal’s men heaped further joy on some lucky fans when meeting
them at a Manchester United Foundation Dream Day.
Led by skipper Wayne Rooney, a host of first-team players met fans with serious and life-limiting illnesses at the Aon Training Complex as part of a heartwarming event that takes place twice a season.
After watching the senior squad train ahead of Wednesday’s Capital One Cup clash with Ipswich, the Foundation's guests were not only greeted by their idols but also had shirts signed and had photographs taken with the players, including five summer signings who attended their first Dream Day - Bastian Schweinsteiger, Memphis Depay, Matteo Darmian, Morgan Schneiderlin and Sergio Romero.
One youngster, Lewis, was delighted to meet Rooney for a second time, having first encountered him two years ago while the Reds captain was on England duty.
“I got him a card to say thank you - he remembered me and it felt really good,” said Lewis. His mum Claire added: “When Wayne walked through that door I was shaking; it means everything to Lewis to have this opportunity and I keep telling him these opportunities don’t come around often.
United’s no.10, who has enjoyed being involved in numerous Dream Days, was more than happy to once again share a memorable experience with the supporters.
“It’s great for the kids to see the players and for us to also see them as they are our fans,” Rooney enthused. “We’ve hopefully put a smile on their faces today. “They’ve given me some cards, one for myself and one for Luke Shaw. I’m sure it’s a get well soon message for him so I will pass that on.”
Led by skipper Wayne Rooney, a host of first-team players met fans with serious and life-limiting illnesses at the Aon Training Complex as part of a heartwarming event that takes place twice a season.
After watching the senior squad train ahead of Wednesday’s Capital One Cup clash with Ipswich, the Foundation's guests were not only greeted by their idols but also had shirts signed and had photographs taken with the players, including five summer signings who attended their first Dream Day - Bastian Schweinsteiger, Memphis Depay, Matteo Darmian, Morgan Schneiderlin and Sergio Romero.
One youngster, Lewis, was delighted to meet Rooney for a second time, having first encountered him two years ago while the Reds captain was on England duty.
“I got him a card to say thank you - he remembered me and it felt really good,” said Lewis. His mum Claire added: “When Wayne walked through that door I was shaking; it means everything to Lewis to have this opportunity and I keep telling him these opportunities don’t come around often.
United’s no.10, who has enjoyed being involved in numerous Dream Days, was more than happy to once again share a memorable experience with the supporters.
“It’s great for the kids to see the players and for us to also see them as they are our fans,” Rooney enthused. “We’ve hopefully put a smile on their faces today. “They’ve given me some cards, one for myself and one for Luke Shaw. I’m sure it’s a get well soon message for him so I will pass that on.”
Monday, September 14, 2015
For migrants, a field of dreams
LONDON — As Syrian migrants continued to arrive at a rate of thousands a day in Munich Hauptbahnhof, some might have contemplated ending their journey with a 20-minute ride on a suburban train to Fröttmaning and officially registering as refugees at Bayern Munich’s Allianz Arena. Perhaps Bayern already had talent scouts watching the packed trains as they rolled in from Austria, Hungary and Italy. European soccer has been good to migrants. But then migrants have been good for European soccer.
The transformation of clubs’ squads has been accelerated in the last two decades by the European Court’s Bosman ruling in 1995. As soccer has experienced rapid economic growth it has also been remade as an expression of the economic freedom of the European Union. Fans in Munich welcome economic migrants from Africa, Eastern and Southern Europe, and South America who arrive not in crowded trains but in private jets, helicopters or luxury cars to sign multi-million euro contracts. The current Bayern squad contains Austrians, Brazilians, Chileans, Americans, Poles, Frenchmen and Dutchmen.
Meanwhile, the national teams have become an extremely visible expression of the way in which immigration has transformed Western Europe. The German national team has recently include three players of Turkish descent, a defender whose father is from Ghana, another defender whose parents are ethnic Albanians who emigrated from Macedonia, and an attacker of mixed Moroccan-Ghanaian descent — as well as a Polish-born striker who was two when his family fled the collapsing economy of Communist Poland in 1987, on the eve of the Solidarity strikes.
The transformation of clubs’ squads has been accelerated in the last two decades by the European Court’s Bosman ruling in 1995. As soccer has experienced rapid economic growth it has also been remade as an expression of the economic freedom of the European Union. Fans in Munich welcome economic migrants from Africa, Eastern and Southern Europe, and South America who arrive not in crowded trains but in private jets, helicopters or luxury cars to sign multi-million euro contracts. The current Bayern squad contains Austrians, Brazilians, Chileans, Americans, Poles, Frenchmen and Dutchmen.
Meanwhile, the national teams have become an extremely visible expression of the way in which immigration has transformed Western Europe. The German national team has recently include three players of Turkish descent, a defender whose father is from Ghana, another defender whose parents are ethnic Albanians who emigrated from Macedonia, and an attacker of mixed Moroccan-Ghanaian descent — as well as a Polish-born striker who was two when his family fled the collapsing economy of Communist Poland in 1987, on the eve of the Solidarity strikes.
Wednesday, August 26, 2015
Who Is Taylor Swift’s "Wildest Dreams" About? Let's Piece Together The Clues
It's been nearly a year since Taylor Swift gifted fans with her '80s-influenced masterpiece and I'm the first to admit that I've spent the time trying to figure out who the 1989 songs are about. Ever since Swift shared the "Wildest Dreams" video teaser, I've been in overdrive analyzing the lyrics and, of course, trying to nail down the inspiration behind the song. While one name immediately pops into mind — yes, Harry Styles — let's look at Swift's carefully crafted clues to see if the hints hold up to the theory.
First up, let's examine the lyrics. In the first verse, Swift claims, "He's so tall, and handsome as hell / He's so bad but he does it so well." The tall, good-looking "bad boy" description fits in line with many other songs that are believed to be inspired by styles, such as "All You Had to Do Was Stay" and, of course, the cleverly named "Style." Lyric-wise, "Wildest Dreams" supports the theory.
But of course, we can never look at a Taylor Swift song by lyrics alone. There's so many levels — including her famous liner notes. The caption for "Wildest Dreams" reads "He Only Saw Her In His Dreams." Seeing as 1989 tells a somewhat chronological story, "Wildest Dreams" takes place after the breakup. (But conveniently before Swift's helpful guide on "How to Get the Girl.") If the first part of 1989 is about Styles, then it stands to reason that the "he" in the liner notes is Styles. It's not definitive proof, but it doesn't debunk our current theory.
First up, let's examine the lyrics. In the first verse, Swift claims, "He's so tall, and handsome as hell / He's so bad but he does it so well." The tall, good-looking "bad boy" description fits in line with many other songs that are believed to be inspired by styles, such as "All You Had to Do Was Stay" and, of course, the cleverly named "Style." Lyric-wise, "Wildest Dreams" supports the theory.
But of course, we can never look at a Taylor Swift song by lyrics alone. There's so many levels — including her famous liner notes. The caption for "Wildest Dreams" reads "He Only Saw Her In His Dreams." Seeing as 1989 tells a somewhat chronological story, "Wildest Dreams" takes place after the breakup. (But conveniently before Swift's helpful guide on "How to Get the Girl.") If the first part of 1989 is about Styles, then it stands to reason that the "he" in the liner notes is Styles. It's not definitive proof, but it doesn't debunk our current theory.
Sunday, August 9, 2015
Dreams and reality
Don't judge an album by its cover. The Phoenix Foundation's sixth studio effort is a defiant statement of intent from New Zealand's enduring sonic voyagers, writes Shane Gilchrist.
Luke Buda has just downed two strong coffees in quick succession.
And though he concedes (via the phone from Wellington) that such consumption might prompt him to ''digress a wee bit'' on the issue of exactly why he and his Phoenix Foundation band-mates named their latest record Give Up Your Dreams, he manages to stick to the topic rather ably.
There's never been so much angst in the band about naming something,'' Buda discloses.
People were scared, saying `what if others think it's the end of the band?'.
We had a few names floating about and, of course, we had the song Give Up Your Dreams and we were joking about it. Then there was just a moment when I thought, `f*** we've just got to call the album this'.
Buda likens the band's internal debate to a form of self-help.
The result has been a clarity of sorts or, as he puts it, a fresh perspective at least.
He is referring to musical dreams not so much shattered as, perhaps, shelved.
''The honest truth is [2010 album] Buffalo did really well for us in the United Kingdom and I'd be lying if I didn't say we thought we'd set ourselves up for the next level.
''By that, I don't mean Wembley; just playing some slightly bigger shows and festivals and, instead of paying money to get to the UK, perhaps coming back with some money.
''But Fandango came out and didn't do anything over there. It was the first time in our career that the latest thing we'd done was less successful than the previous.
''Up until that point, things had been building,'' Buda says in reference to a hectic few years followingBuffalo, which earned the Phoenix Foundation a Recording Industry Association of New Zealand (Tui) award for best group in 2010.
On Buffalo's release, the group signed to UK label Memphis Industries and toured Britain and Europe regularly, including appearing at the 2011 Glastonbury Festival, and performing in influential television show Later With Jools Holland the same year.
Fandango, the Wellington-based outfit's 2013 release, might have contained more than a few echoes of the mixture of prog-rock, psychedelia, melancholic folk and ethereal pop found on 2003 full-length debut Horsepower, 2005's Pegasus, 2007 effort Happy Ending and 2010's Buffalo, yet it was a double album stretching almost 80 minutes, including an 18-minute-long closing song (about six times longer than the pop standard).
And pushing the boundaries of song length is unlikely to prompt interest from radio programmers, particularly in the UK.
Friday, July 24, 2015
Dreams come true in Tupelo
TUPELO, Miss. (WTVA)--The most magical name in film is making its mark in Tupelo this weekend.
“Disney Live!” is kicking off its 2015-2016 season here in the All-America City on Saturday at the BancorpSouth Arena.
The show begins at 4 p.m.
The show centers on the stories of three Disney princesses: Snow White,
Cinderella, and Belle from “Beauty and the Beast.”
Performer Justin Murdock says that there is centralized theme to the show.
“Snow White has her far away prince. Cinderella dreams of going to the ball, and Belle dreams of the great, wide somewhere, and through their hard work and perseverance, all their dreams do come true.So that is sort of the theme that we want to send home with the families is that dreams do come true,” he said.
The show which started in 2008 has traveled across the globe to help make dreams come true for millions of people.
Murdock says it’s special to be able to bring Disney enchantment to people who would otherwise never get to experience it.
He says that the show is not just for little kids or girls, but it is a show for the entire family.
When asked how the crew’s time here in North Mississippi has been, he grinned and said that it has been amazing.
“Everyone has been so friendly and nice at all the different restaurants that we’ve been to. So it’s been a real refreshing and great way to start the season off with here in Tupelo,” said Murdock.
Visit disneylive.com for ticket and show information.
Tuesday, July 7, 2015
Malone Scholarship: Making students’ dreams come true
KENT, Ohio– For many high school graduates, getting into a college or university of their choice is a monumental task.
But paying for higher education can also be an added stress.
One local organization has been helping students for almost two decades now, and we are just days away from one of its biggest fundraisers- on the links.
Amineh AlBashaireh is one student who is benefiting from this year’s classic.
She’s an environmental enthusiast, a passion that would lead AlBashaireh, 18, of Solon to major in geology at the College of Wooster.
But getting there would be a test of human strength, courage and determination.
At just nine years old, Amineh would have to deal with not one, but two family tragedies.
Amineh’s mother was diagnosed with toxic shock syndrome. She survived, but during her recovery, Amineh’s father was diagnosed with terminal lung cancer.
Dealing with the death of her father, Amineh’s mother was never 100 percent again.
Laid off from her teaching job, Amineh’s mother was diagnosed with depression which then led to suicidal tendencies.
But paying for higher education can also be an added stress.
One local organization has been helping students for almost two decades now, and we are just days away from one of its biggest fundraisers- on the links.
Amineh AlBashaireh is one student who is benefiting from this year’s classic.
She’s an environmental enthusiast, a passion that would lead AlBashaireh, 18, of Solon to major in geology at the College of Wooster.
But getting there would be a test of human strength, courage and determination.
At just nine years old, Amineh would have to deal with not one, but two family tragedies.
Amineh’s mother was diagnosed with toxic shock syndrome. She survived, but during her recovery, Amineh’s father was diagnosed with terminal lung cancer.
Dealing with the death of her father, Amineh’s mother was never 100 percent again.
Laid off from her teaching job, Amineh’s mother was diagnosed with depression which then led to suicidal tendencies.
Tuesday, June 23, 2015
Help your child land their dream job
We hear all the time how tough the job market is these days, especially for millennials.
It may surprise you to know parents can increase their child’s chances of landing their dream job.
Dr. Tjai Nielsen, associate professor of management at High Point University, sat down with FOX8’s Julie Grant to explain how parents can help their millennial child land their dream job.
Dr. Tjai Nielsen recommends the following steps for parents:
Understand the realities of the job market; be positive and realistic
Visualize the big picture; do not discourage children from dreaming big
Create a perfect resume; help copy-edit your child’s resume
Effectively communicate your value proposition; practice interviewing your child
Go online and understand how an employer sees your child’s social footprint
Ask for help.
It may surprise you to know parents can increase their child’s chances of landing their dream job.
Dr. Tjai Nielsen, associate professor of management at High Point University, sat down with FOX8’s Julie Grant to explain how parents can help their millennial child land their dream job.
Dr. Tjai Nielsen recommends the following steps for parents:
Understand the realities of the job market; be positive and realistic
Visualize the big picture; do not discourage children from dreaming big
Create a perfect resume; help copy-edit your child’s resume
Effectively communicate your value proposition; practice interviewing your child
Go online and understand how an employer sees your child’s social footprint
Ask for help.
Tuesday, June 9, 2015
Seniors Living Out Their Childhood Dreams Prove It's Never Too Late
It's been said that it's never too late to become what you might have been -- and we've got the photos to prove it.
A group of Dutch seniors are living out their childhood dreams in a new photo series entitled "What I Wanted To Become." Ingrid Meijering, who co-founded Get Oud, which translates to "Get Old," said the motivation for the series was to show the world that even older people have dreams, regardless of their age.
The project featured around 50 volunteers, ages 75 and up, from Dutch senior homes. Over eight months Meijering used props, makeup and costumes to transform each model into what they always wanted to be as a child. Unfortunately, due to financial constraints, societal pressures, the responsibilities of family, and other issues, many of these people never were able to pursue their childhood dreams.
And these dream jobs ran the gamut, including everything from a disc jockey to an opera singer to a prima ballerina.
"We had lots of fun with the models," Meijering told The Huffington Post. "Most of them had really good memories and said, 'OK, I did not became what I always wanted, but I'm happy!'" Beautiful.
It just goes to show you're never too old.
A group of Dutch seniors are living out their childhood dreams in a new photo series entitled "What I Wanted To Become." Ingrid Meijering, who co-founded Get Oud, which translates to "Get Old," said the motivation for the series was to show the world that even older people have dreams, regardless of their age.
The project featured around 50 volunteers, ages 75 and up, from Dutch senior homes. Over eight months Meijering used props, makeup and costumes to transform each model into what they always wanted to be as a child. Unfortunately, due to financial constraints, societal pressures, the responsibilities of family, and other issues, many of these people never were able to pursue their childhood dreams.
And these dream jobs ran the gamut, including everything from a disc jockey to an opera singer to a prima ballerina.
"We had lots of fun with the models," Meijering told The Huffington Post. "Most of them had really good memories and said, 'OK, I did not became what I always wanted, but I'm happy!'" Beautiful.
It just goes to show you're never too old.
Tuesday, May 5, 2015
Floyd Mayweather's American Dream
After defeating Manny Pacquiao, 'Money' stands alone – and reminds us why we forgot about him in the first place
"I'm just an American dream," Floyd Mayweather said at some point deep into Saturday night, standing at a microphone with a pair of smiling ring girls in Tecate halter tops strategically posed behind him. He had just dismantled Manny Pacquiao in a fight that was disappointingly dull and utterly unsurprising on every level, and now he was discussing his favorite subject, which happens to be himself.
Mayweather is that rarest of public figures: A talented athlete who is the picture of oblivious villainy outside the ring, but is also inherently boring inside the ring. He's the worst of both worlds, in that there's nothing much to like about him in any sense, other than the fact that he's probably never going to lose a fight in his career. And this is not just a problem for his own legacy, which took a serious hit even as he did most of the hitting against Pacquiao; this is now a problem for boxing, which once again tried to wedge its way into the mainstream, and once again failed miserably.
This was a fight that never really had a chance of living up to the hype surrounding it, in part because Mayweather is not that kind of fighter and Pacquiao is no longer that kind of fighter, and in part because boxing is not that kind of sport anymore. It exists on the fringes, on the margins of popular culture, condemned for its barbarism and for the glorification of dubious characters like Mayweather. The only way to see this bout was to shell out an absurd chunk of change for a pay-per-view broadcast riddled with massive hiccups, and then to stay awake deep into the night hoping that something interesting might justify the purchase.
Is it a surprise, then, that people were disappointed? It's almost like that's what boxing does: It sets itself up, every few years or so, to allow us to remember why we forgot it in the first place.
"I'm just an American dream," Floyd Mayweather said at some point deep into Saturday night, standing at a microphone with a pair of smiling ring girls in Tecate halter tops strategically posed behind him. He had just dismantled Manny Pacquiao in a fight that was disappointingly dull and utterly unsurprising on every level, and now he was discussing his favorite subject, which happens to be himself.
Mayweather is that rarest of public figures: A talented athlete who is the picture of oblivious villainy outside the ring, but is also inherently boring inside the ring. He's the worst of both worlds, in that there's nothing much to like about him in any sense, other than the fact that he's probably never going to lose a fight in his career. And this is not just a problem for his own legacy, which took a serious hit even as he did most of the hitting against Pacquiao; this is now a problem for boxing, which once again tried to wedge its way into the mainstream, and once again failed miserably.
This was a fight that never really had a chance of living up to the hype surrounding it, in part because Mayweather is not that kind of fighter and Pacquiao is no longer that kind of fighter, and in part because boxing is not that kind of sport anymore. It exists on the fringes, on the margins of popular culture, condemned for its barbarism and for the glorification of dubious characters like Mayweather. The only way to see this bout was to shell out an absurd chunk of change for a pay-per-view broadcast riddled with massive hiccups, and then to stay awake deep into the night hoping that something interesting might justify the purchase.
Is it a surprise, then, that people were disappointed? It's almost like that's what boxing does: It sets itself up, every few years or so, to allow us to remember why we forgot it in the first place.
Tuesday, April 7, 2015
A Dream Psychologist Interprets Don Draper's Mad Men Season-Premiere Vision
"Next."
Don Draper wants to see "another girl." Ted opens the door and in one walks—beautiful legs, beautiful curves, beautiful hair, all swimming in an exquisite chinchilla coat. A second goes by before Don makes eye contact. Rachel. His former flame turns towards a mirror, breaking a soul-piercing glance to take in her own pose. The fur slides down her shoulder, exposing milk-white skin. Close and out of reach. Don is transfixed. "I'm supposed to tell you you missed your flight," she says, drifting away. Pete, not Ted, opens the door. Don interrupts the exit. "You're not just smooth," he utters. "You're Wilkinson smooth." As Rachel slips out of the room, Pete kills the moment. "Back to work!"
Scene. Eyes open. Pitch black night. A woman on his arm. A dream. Don's perfect moment was a dream.
Matthew Weiner, you cruel creator.
Throughout Mad Men's seven seasons, Weiner has given audiences literal peeks inside his characters' minds. Melodramatic nightmares allow beasts inside to burst out. Introspective drug trips reveal wishful thinking and the deepest fears. Sunday night's premiere, "Severance," goes a step further, blurring the line between dream and reality to create an unsettling atmosphere. A scene where Don's latest catch spills blood-red wine across the carpet recalls the ad man's imagined encounter with ex-gal pal Andrea in season five's "Mystery Date" (minus the death-by-chokehold). Weiner gives us little distinction between Don's experiences—the actual, creepy-as-Hell audition depicted in the opening scene—and fabrications, Rachel's appearance being the only explicit tell. The last time we saw the department store heiress, she reminded Don that their secret love affair was 100 percent over. Rachel is unobtainable, out of Don's life. It takes our brains a second to register this fact, but her mere appearance explicitly tells us, This is not real.
But "not real" isn't how Ian Wallace, a professional dream psychologist and author of The Top 100 Dreams, would put it. When I ring him at his home in Edinburgh, Scotland, hunting for a professional opinion on Don's Rachel encounter, Wallace combats my semantics. They're not "not real." Dreams don't just "happen." Even when we sleep, we're active participants, not psychic receivers. "We create the dream in the same way that we create our waking awareness of consciousness," Wallace says. In order to reckon with these surreal memories, professionals acknowledge the existence of two worlds: an "inner," where ideas, aspirations, and imagined constructions fire through synapses, and an "outer," where we interact with tangibilities—appointment, assignment deadlines, observations from a day's commute. The two halves are intimately connected. "We use the outer world as a way of symbolizing our inner world, and we use our inner world as a way of making sense of the outer world."
Wallace interprets dreams from the inside out, tracing lines from images to a person's "waking life." He doesn't take anything too literally; just because a particular person, place or thing shows up in your dream doesn't mean the dream is about said person, place or thing. If someone has a dream about their partner having an affair, he or she may wake up thinking, "My partner is having an affair." Wallace would see it in reverse, an unconscious red flag that dreamer themselves had lost confidence and trust in their own abilities.
It would be easy to equate Rachel's appearance with Don longing for a specific, long-gone romance (especially with his lust over the diner's Rachel doppelgänger). Too easy. Acknowledging Don's relationship history, Wallace hones in on Rachel as an abstract. "As human beings we all have masculine and feminine aspects to our character," he says. "For a man, our feminine aspects tend to be or do with our creativity or intuition or empathy or instincts and so on. When Don creates a woman in his dream, it's all about his creative self. Rachel was really rich and wealthy. And so, Don has this really rich creativity that he's trying to get back in touch with somehow."
Though each case is personal, there are universal symbols that Wallace has encountered in over 35 years of dream interpretations. They can be big—crossing paths with an ex-lover is the 15th most-common dream—and they can be small. Wallace says Weiner's choice of a chinchilla coat is very deliberate. Fur is a symbol for one's "ability to present a self-image in a way that's quite indulgent and allows a real comfort in fundamental behaviors and being able to show those off." Don Draper loves his indulgences.
Weiner opens the dream sequence on Don's office door, another image that pops out to Wallace. He says the act of opening and closing a door is tied to identity, a personal threshold manifested into a passageway. That it's Ted on one side and Pete on the other speaks to Don's available avenues. "Very often people create dreams where some of the characters are people from their workplace because the characters in the workplace have certain qualities that the dreamer is being drawn to in some way," Wallace says. "They might be really confident, they might be really intelligent, they might be really meticulous, but there's something in that person that the dreamer needs to express so that he can grasp an opportunity." "Severance" hints at what a "Ted" or "Pete" road could mean for Don. Both men recently returned to New York from Los Angeles, though for Pete, the cyclical ride isn't a move forward, it's more like… a dream. Don could really use a third option.
There are no throwaway lines in Mad Men, and certainly not in a Mad Men dream sequence. What to make of Rachel's airplane reference? Don't get too excited, D.B. Cooper theorists: Like the door, it says more about where Don isn't going. According to Wallace, when people dream about the sky, they're wrestling with an idea that could take flight. "The sky tends to be the realm of concepts," Wallace says. "It usually symbolizes some idea's trajectory, some thought that you're trying to get off the ground and land it successfully somewhere." For Don, this could be the Wilkinson campaign. Or it could be the rest of his life on Earth. That Don missed his flight gives Wallace even more to chew on. This is commitment issue 101. "When people create a missing-a-plane dream, they have a concern about this really great idea, but they're not stepping forward. It might be that he didn't commit to Rachel in some way or she didn't commit to him, but it's probably in his waking life that he is not committing to some big idea that's coming up, and he needs to earn it. It resonates with the door part as well: some opportunity opening up for him, here he has to step through that threshold, into that new space, so that he can make the most of the opportunity."
That's never been Don's strong suit. Dreaming is much easier.
Monday, March 9, 2015
The American Dream is now just that for its middle classes – a dream
During the 2012 presidential election, Republican nominee Mitt Romney regularly liked to joke that President Obama wanted the US economy to look "more like Europe". In the context of modern American politics, few insults are more stinging. To be European is to be somehow effeminate, irresolute and, perhaps worst of all, socialist. It's the opposite of the "rugged individualism" and "exceptional nature" of the uniquely American experiment in self-government.
But, as a sobering New York Times article last week made clear, America could have a lot to learn by looking to Europe. According to the New York Times, the American middle class – the linchpin of the country's phenomenal postwar economic growth – can no longer call itself the richest in the world. "While the wealthiest Americans are outpacing many of their global peers," says the NYT, "across the lower- and middle-income tiers, citizens of other advanced countries have received considerably larger raises over the last three decades." America's poorest citizens lag behind their European counterparts; 35 years ago, the opposite was true.
This was yet one more wake-up call about the reality of America's continuing economic malaise. Ask Americans if the country is on the right track – 60% say no. Satisfied with the way things are going in America – only 25% say yes. Still think you're a member of the middle class – only 44% feel so confident. Forty per cent self-identify as lower-class, a 15-point jump since 2008. Among young people, the numbers are even more depressing. Those who place themselves in the lowest tier have doubled in just the past six years.
While a majority of Americans tenaciously continue to hold dear to the American Dream – that long-standing American ideal that if you work hard anything is possible – more and more people are reporting that the opportunity for social advancement feels increasingly out of reach for them and their children. Indeed, it is hard to think of a more disquieting trend in American society than the fact that those in their 20s and 30s are less likely to have a high school diploma than those between the ages of 55 and 64.
All of this must seem counterintuitive to foreign audiences. The US swaggers along on the world stage with a certainty and sense of moral purpose that no other country can match. Blessed with practically limitless national resources, a dynamic and diverse population, a relatively stable political system and innovative technological capabilities that other nations can only dream of, how can so many Americans be falling behind – and how can the nation's leaders allow it to happen?
The answer is disconcertingly simple: we chose this path.
Granted, no one actively set out to attack the middle class in America. There wasn't some evil plan hatched behind closed doors to wreak socio-economic havoc. But the decline of the American middle class, the ostentatious wealth of the so-called 1% and the crushing economic anxiety of the growing number of poor Americans have happened in plain sight.
It is the direct result of a political system that has for more than four decades abdicated its responsibilities – and tilted the economic scales toward the most affluent and well-connected in American society. The idea that government has an obligation to create jobs, grow the economy, construct a social safety net or even put the interests of the most vulnerable in society above the most successful has gone the way of transistor radios, fax machines and VCRs. Today, America is paying the price for that indifference to this slow-motion economic collapse.
It wasn't always like this.
Once, Americans lived in a country where it wasn't just the biggest boats that floated high on a rising economic tide. In the years after the Second World War, America was defined by an unprecedented period of economic prosperity. Jobs were plentiful and well-paying, with generous health and retirement benefits. New creature comforts, from refrigerators and washing machines to televisions and cars, were suddenly available. Americans became homeowners and eventually, if they were lucky, suburbanites. Perhaps most important, those at the bottom of the economic ladder shared in the bounty as much as those at the top.
Life back then was never as idyllic as nostalgic portrayals of postwar America would suggest (this was particularly true if you were a minority or a woman). But it was also true that Americans enjoyed the type of economic security that current generations can only dream of.
Part of the reason was that they had political leaders who recognised that the federal government could not just sit on the sidelines. From the emergency measures of the New Deal, which laid the foundation for the modern welfare state, to the vast ambitions of the Great Society, the government provided support for the aged, healthcare for the poor, job security for workers, good schools for the nation's young people and invested in science and infrastructure projects that created new economic opportunities. By the 70s, however, as the postwar economic boom began to deflate, so, too, did the idea that government had a role to play in stewarding the economy or protecting workers from the vicissitudes of the free market. Instead, as a conservative anti-government populism emerged out of the perceived "liberal" excesses of the 60s, a new political ethos came to the fore. It was one promoted by Republicans (if occasionally articulated and endorsed by Democrats). Government was no longer a friend to the working man – it was a malignant force transferring his hard-earned tax dollars to the poor and minorities.
These attitudes weren't necessarily new. Americans have long flirted with strains of anti-centralism and fears of concentrated power. But out of this backlash would come toxic policy ideas that have defined post-60s US politics – lower taxes and even lower federal spending, less regulation and even less government intervention in the economy. Though pitched to the American people as a magic elixir for what ailed the US economy, they instead brought the economic disquiet we are seeing fully flower today.
The impact of conservatism's anti-government backlash was significant. Unemployment benefits became less generous; same with food stamps, welfare payments and the minimum wage. Job protections were weakened as once strong support for unions and organised labour was replaced by increasing hostility from pro-business Republicans. When once a third of all private sector Americans were in unions, today the number is down to around 11%.
College tuition fees went through the roof as support for public universities declined. This was happening at the same time that a university degree became an essential ticket for success in a competitive global economy. A lack of early-childhood education and underperforming schools, particularly for the poorest Americans, meant that unless you're in the top 10% of Americans chances are that when your child begins kindergarten, he or she is already one step behind.
This educational inequality is reflective of a larger trend of growing income disparities across US society. So, as Americans saw their wages stagnate, their economic anxieties increase, their debt levels skyrocket, their retirement savings shrivel and their future prospects dim, the very rich got much, much richer.
Yet, conservatism's most pernicious impact came not from what it accomplished. There was no rolling back of the welfare state or the Great Society. The revered conservative Republican saviour Ronald Reagan railed against big government, but as president he found himself unable to zero out even a single major spending programme.
Far worse, however, were the sins of omission. Conservatism's most dubious legacy came in stopping progress dead in its tracks. There were no expanding childcare benefits or universal pre-kindergarten to deal with the influx of women in the workplace. Millions lacked health insurance coverage and yet Congress showed little inclination toward providing universal access to healthcare. New infrastructure programmes, such as high-speed rail or expanded broadband penetration, went nowhere. Public works programmes to create jobs weren't even on the table. When new social programmes were created, such as family and medical leave, they were pale substitutes of what the European middle class takes for granted.
Instead, Congress busied itself with more tax breaks and subsidies for the richest 1% and hacked away at regulations that protected workers and the social safety net that kept them from falling into economic misery. Until the long overdue passage of Obamacare in 2010, the middle class consistently found itself on the short end of the stick.
Certainly, some will quibble as to how much blame the federal government should receive for this economic downturn. Larger systemic forces, such as globalisation, technological change and the increasing specialisation of the US economy, which demanded more educated workers, played important roles as well. Still, even if one accepts that these factors were more responsible, where were Congress and the president in helping workers navigate these changes?
Alas, they were probably out raising money from the 1% for the next election. It's small wonder that, according to a recent academic report, the world of politics is so "dominated by powerful business organisations and a small number of affluent Americans" that the US is on shaky ground even calling itself a democracy.
As Americans have seen their economic fortunes decline, those most in a position to help them have shown far too little willingness to lend a hand, none more so than conservative Republicans.
In the immortal words of Ralph Waldo Emerson, "conservatism makes no poetry, breathes no prayer, has no invention". Its success comes in standing in the path of reform and saying no. With the Republican party currently in charge of the House of Representatives (and unlikely to lose that control in this autumn's mid-term election) there is little reason, unfortunately, to believe that the nearly four-decade decline in the financial standing of the American people will right itself soon. In short, the "choice" that America made to pursue the path of decline will be with us for some time to come.
Kind of makes looking to Europe seem like not such a bad idea.
Friday, February 6, 2015
Dreamy Journey To New Territory
Over the past year, I have been trying out different gluten-free flour mixtures, and making lots of goodies, mainly from my own normal recipes, converted by simply substituting gluten-free flour and adding xanthan gum. In the main, they have been a whopping success. In my honest opinion, as someone who has been baking for 42 years, some of the cakes, fruit or nut loaves turn out more moist and tender than when made with wheat flour; a very happy discovery, without a doubt.
Last year I was asked to provide little treats for a Princess Party, put on by the Dacotah Prairie Museum. Accompanied by a "queen", I also had baked one of my favorite coffeecake recipes, gluten-free and took it for her and the museum staff to try. They all loved it; moist and tender and full of flavor. The young woman was happy with my experiment, as was I. I took some of the bread for the woman at the museum to sample, as well as a slice I slathered with homemade pesto and cheese and broiled. She exclaimed, "This is the best bread I've tasted since going gluten free!"
Then carefully smooth it to fill in any gaps. Tapping the pan on the countertop helps. Pour on the rest of the "topping" and again plop spoonfuls into the pan till all batter is used. If things are ambiguous or puzzling, one can suggest him or herself that the problem will be solved upon awakening, putting the faith that an answer will come to the problem right before they fall asleep and finding the answer later in the conscious state.
To help this, dreamers should also always have a "dream diary" of some sort where they record their dreams journey. This not only helps with symbols and meanings of dreams and how they connect to the real world, but also helps us stay conscious in lucid dreams. The body will most likely be paralyzed at this point (this usually freaks people out which makes a lucid dream disappear), but if one is calm and collected, then there's a good chance that they can begin a lucid dream and even control the outcome of the dream.
Last year I was asked to provide little treats for a Princess Party, put on by the Dacotah Prairie Museum. Accompanied by a "queen", I also had baked one of my favorite coffeecake recipes, gluten-free and took it for her and the museum staff to try. They all loved it; moist and tender and full of flavor. The young woman was happy with my experiment, as was I. I took some of the bread for the woman at the museum to sample, as well as a slice I slathered with homemade pesto and cheese and broiled. She exclaimed, "This is the best bread I've tasted since going gluten free!"
Then carefully smooth it to fill in any gaps. Tapping the pan on the countertop helps. Pour on the rest of the "topping" and again plop spoonfuls into the pan till all batter is used. If things are ambiguous or puzzling, one can suggest him or herself that the problem will be solved upon awakening, putting the faith that an answer will come to the problem right before they fall asleep and finding the answer later in the conscious state.
To help this, dreamers should also always have a "dream diary" of some sort where they record their dreams journey. This not only helps with symbols and meanings of dreams and how they connect to the real world, but also helps us stay conscious in lucid dreams. The body will most likely be paralyzed at this point (this usually freaks people out which makes a lucid dream disappear), but if one is calm and collected, then there's a good chance that they can begin a lucid dream and even control the outcome of the dream.
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