Steve Lovett chasing down a boxing dream

Life under boxing's bright lights can be exciting. It can be lonely too.

Stressful, thrilling, draining, addictive. Highs and lows come with the territory of a life inside the squared circle. Fighters both love and loathe the physical and emotional toll they put themselves through for just one night.

But Steve Lovett is an unabashed dream chaser. He wouldn't change a thing.

Lovett (17-2) will return to the ring against Reagan Dessaix (15-1) for the World Boxing Association Oceania light heavyweight title at Tweed Heads' Seagulls Rugby League Club on Saturday night.

For Lovett, this one has been a long time coming. His last opponent pulled out just days before they were supposed to dance in May. When the chance to fight on home soil popped up, he jumped at it.

He has been training under boxing icon Ronnie Shields in Houston since 2014, but for this camp he whisked himself away to train under a man that has been exactly where Lovett wants to go.

Lovett has been training on home soil with the man that unified a glamour division of his time in Australian boxing legend Danny Geale.

Amidst the humour of mashing potatoes with a hammer during tongue-in-cheek cooking videos that label him "America's worst cook" and dancing to AC/DC in the gym under the guise of a "fair dinkum feet wizard", Lovett's end goal has never wavered.

For the record, Lovett can cook - he was once a contestant on The Great Australian Bake Off. He can dance as well. Neither of those abilities can hold a candle to his skill in the ring.

A trip to Las Vegas to watch fellow Australian Jeff Horn attempt to defend a world championship on boxing's biggest stage at the MGM Grand Garden Arena earlier this year - coincidentally at the same venue Lovett first competed at on United States soil - just fuelled the fire for the 33-year-old larrikin.

In the wake of a dream

This is a statement of rebellion, if not blasphemy, when one imagines the speaker to be a Brahmin priest from 7th-century CE Tamil India. But then, all of Sharanya Manivannan's art is about rebellion and seeking. In her latest novel, The Queen of Jasmine Country, this pithy, profound sentence comes as reassuring advice from a father to a daughter — when protagonist Kodhai and her adoptive father Vishnuchittan confer on making a choice between the material and the spiritual. A slim volume — just 146 pages — this work of biographical fiction is expansive in its beauty and ardour.

Anyone familiar with Manivannan's work will agree that her writing is both sublime and powerful, in ways that echo the innermost instincts of womanhood. Her craft has deservedly been lauded, with her earlier work The High Priestess Never Marries winning the Laadli Media and Advertising Award for Gender Sensitivity. She has written two collections of poems — Witchcraft and The Altar of the Only World — as well asa children's book titled The Amuchi Pucchi.

Manivannan picks the legendary figure of Andal, an Alvar or Vaishnavite poet-saint, for her fifth book and first novel, and intertwines three subjects that come organically to her — femininity, love and magic. Andal is less history and more legend, because very little is known about the personal life of this devotional poet. She is known only through anthologies such as Nachiyar Tirumoli and Tiruppavai, all of which speak of her ecstatic, erotic lovefor the Hindu god Vishnu.

For those unfamiliar with Tamil tradition, poet Meera is a good parallel to draw from. Though a few centuries apart, both women were poet-saints from the Bhakti tradition, belonged to well-off families, and worshipped Vishnu-Krishna in the madhura bhava — where the devotee sees god as a lover or husband.

Much has been written about Meera, but Andal remains a mystery. While she has been exalted to the position of a goddess, and the ritual singing of her poems during the month of Margali (mid-December to mid-January) is an important part of Tamil culture, her life remains an enigma. Manivannan assumes the voice of Andal and imagines her story. The author has said that the subject was less of her choice and more of a divine summons — in 2014, Andal appeared in her dream and urged her to write.